两个小时的电影看不下去，十集的日剧当作十个小时的电影来看特别享受。很多人物关系及心理描写用旁白外露，也就是因为太直白了，人物之间微妙关系就少了一种意犹未尽的味道。这个神谷的性格太路人了；真树一点没看出来她对神谷有感情；红帽子小哥页很突兀。所有的情绪都突如其来，无法专注。

看了一半。演得努力。故事勉强。

希望在那之前可以看得懂吧= =。。

结局讽刺又可悲，想自杀但煤气用完了，活下去然后陷在贫困的恶性循环里，怎么选？疲软无力的观影状态，持有愤怒才有生活的勇气。

One might dispute how real, or how artificial this film really is (indeed, that's what the directors themselves explicitly examined in the film), but there is no denying that this is one of the greatest, and most self-reflexive experiments in cinema history. By allowing the interlocutors to dictate where they want to take the conversation, Rouch & Morin created a moving poetry in motion.